How to End Bad Liturgical Music
I have put together some resources that I used while working for dioceses across the country to correct the usual problems. These types of groups frustrate me, too. I do believe this is the correct label to call these groups, but I would never call myself a ‘folk musician.’ Nor when I was at Franciscan University would I call them ‘folk groups.’
There are three problems that I saw consistently throughout the diocese with music groups. Poor or inappropriate song selection, poor performance, and lack of regard for liturgical norms. I believe these problems are inherent to any music ministry, but are much easier to see in music ministry that organ is not the main instrument.
Here are three quick remedies that may help:
1. Franciscan University Canticle Hymnal – Franciscan University published a guitar/piano accompaniment hymnal that carries the approval of the Committee on the Liturgy, United States Conference of Catholic Bishops (This is written on the 2nd page of the book). This eliminates the problem of playing secular music at mass. Often times musical ministry groups are not aware of high quality music and stick to playing what they can ‘get their hands.’ This is found at www.franciscan.edu.
2. Be Perfect – Many times there is little emphasis placed on a musicians talent and only on their willingness to give of their time. Strict standards are required to lead music at Mass. For example in college auditions were required, mandatory two hour practices, music ministry guidelines were published, and annual retreats for formation. In addition there were two leaders who actively oversaw all music selection, ministry teams, and taught through example.
3. Liturgical Norms – Musicians are constantly breaking norms because often times they do not know them. A simple way to alleviate this problem is by creating packets of do’s and don’ts.
There can be many distractions from the Holy Sacrifice of the Mass, and music should not be one of them. Formation of music ministers is essential to proper ministry. When I was younger I made many mistakes that today I would never repeat. However this is only because I finally was in an environment with exceptional musicians who lead music from their heart and their heart was formed in Christ.
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about 2 years ago
This article is very good. Going Franciscan is the way.
about 1 year ago
Well said. I’ve been playung guitar at church for 30 years, and am very glad my mentors were perfectionists. When I was in seminary, my skills and knowledge received a solid upgrade. The issue is not the instruments, but rather the integrity of worship. I was often criticized for not letting this or that person join a group, but music ministry is not a social club. The particular instrument is irrelevant so long as it allows the congregation to focus on worship and not on the music. For my part, the sure sign of something wrong is the people looking at me instead of facing the altar.
about 1 year ago
Well Said!
about 1 year ago
This article just begins to touch on a subject dear to my heart. I am a classically trained musician with degrees in theory and classical guitar who also had a rock, pop, and jazz background prior to joining the contemporary music group at St. Rose of Lima Church in Baltimore over 15 years ago. While musically advanced, I had virtually no experience in liturgical norms, magnified by the fact that I am not a cradle Catholic. Fortunately, others in the group as well as the priest and lay leaders have helped me in this regard. You are correct that understanding these norms is critical to the worship experience.
I have sometimes felt guilty about not accepting all interested persons into the group that can’t pass an audition but I also believe that poor musicianship is distracting to the worship experience.
With regard to musical selection, one thing you don’t mention is that traditional music generally has all of the notes written out for the performers so there is much less variation in what is played on a given musical selection. Most contemporary music is in the lead sheet format which leads to a wide range of variability (often times bad) in the accompaniments and arrangements. I personally believe this is an area that could be much improved with some conscious effort to include updated chord substitutions, extensions (e.g., add 9, 11, inversions, etc.), rhythmic treatments, harmonies and counterpoints, and arrangements with intros, interludes and endings. Too often, groups just play the basics or copy their favorite version instead of going with their own strengths via tailored arrangements. This is probably beyond the capabilities of many groups so a forum that helps them get started by providing examples and guiding principles would be great. If there is such a forum, please advise as I would like to contribute.
As you point out, shortcomings in any of these areas wind up reflecting unfairly on the contemporary style.
about 1 year ago
Frank,
Excellent Insights. For the new year, I want to high light this comment and share it with others.
Thanks,
about 1 month ago
Hi guys – -
I think you are just on the tip of the iceberg here. Try checking out chantcafe.com, or musicasacra.com.
Most people don’t know that there are certain texts and chants, that are just completely ignored at most U.S. parishes. i.e., there is a particular text for each Sunday for the entrance, communion, offering, etc. A random hymn is a lesser choice, yet that is almost all we hear at the average U.S. parish.
By the way, did you know that Vatican II says that organ is the premier instrument for Mass, and that Gregorian chant is the premier music of the Catholic Church? Yet how often are both organ and chant out the window. We all have so much to learn. I am a recent convert, but I feel like I am close to reverting to my Lutheran background, because I can’t take the lame music anymore. Or the lame music education at my kids’ Catholic school.